DJ Shadow

For over 30 years, Josh Davis has expressed his passion, taste, and values through the music

he creates as DJ Shadow. The name alone evokes a high watermark for instrumental hip-hop

and composition. From his first masterpiece Endtroducing…, to the genre-hopping UNKLE

release Psyence Fiction, to the otherworldly elegance of The Private Press and its iconic single

“Six Days,” to his underrated Bay Area celebration The Outsider, his work in the ‘90s and first

decade of the 2000s is as essential as it is hard-to-pin-down. In the 2010s, Shadow released

the sprawling The Less You Know, the Better, with its muscular forays into rock music, and

closed the decade with The Mountain Will Fall and Our Pathetic Age, both very ambitious,

risk-taking albums that boasted some of his best rap collaborations by working with Run the

Jewels, Nas, and De La Soul, among others. If there’s a single red thread across this career, it's

his restless ear, always searching to rescue some forgotten gem from the dustbin of music

history or a fresh blast of sound from the cutting edge.

It’s a practice Shadow learned as a young boy, enamored with collecting comic books, baseball

cards, 12-inch records, and precious songs captured to cassette from the radio airwaves late at

night in northern California. With great seriousness and love, he will describe the second-hand

transistor AM radio on which he first heard Grandmaster Flash and the Furious Five’s “The

Message,” when he was 10 years old. Or his mind-expanding encounter with Public Enemy’s

“Rebel Without a Pause” and that single’s howling saxophone blast. At the heart of DJ Shadow’s

musical project is deep listening. “I’m always trying to please or impress the most advanced

listener,” he says. The type of aficionado who will respect the layers upon layers of synth that

went into making a sound that can’t be readily identified but will make you want to share the

track with a friend and say, “This part right here.”

The first sampled words heard on DJ Shadow’s forthcoming album Action Adventure, his

seventh solo LP, are “all my records and tapes.” In fact, they are some of the only words heard

on what is almost an entirely instrumental release; they’re a kind of thesis statement for an

album that has its roots in the drifting, destabilizing days of the COVID lockdown. Action

Adventure is an inward-looking project, made by Shadow alone without any collaborators.

Action Adventure tells the listener: “This is about my relationship to music. My life as a collector

and curator. All my records and tapes, and no one else’s.” The result is the most exciting DJ

“Ozone Scraper” kicks off the album without preamble, just big, propulsive drums. It has the

feeling of transportation, of jet engines lifting the passenger somewhere impossible. One of his

favorites on Action Adventure, “Ozone Scraper” is an invitation to strap in and also sets the

table for the kind of deep listening Shadow loves. The advanced listeners will marvel at the kind

of “special effects,” as Shadow puts it, that went into creating the elusive synth noises. Like a

child marveling at a summer blockbuster, you wonder: How did he do this?

“You Played Me” is a miracle that happened by pure chance. Inspired by the eBay tapes,

Shadow created a beat that had the crackling percussion and burbling synths of classic ‘80s

R&B, like a lost René and Angela hit. “I loaded up the instrumental and looped it on my

computer to play forever,” he explains. Then he started auditioning records in his collection that

he hadn’t processed yet—an experiment to find the vocal in the haystack. “I dropped the needle

on an acapella of a really obscure R&B 12-inch from around ‘84, ‘85 and I thought, ‘That

actually works.’” Still, he wasn’t entirely sure, and he sent the song to his label as a reference

for a potential collaboration… whoever it was needed to have this sound, Shadow told them.

After a few weeks, though, he realized he already had what he needed—the acapella was

correct. “It's an example of one of my favorite aspects of the music I make, which is just 100%

serendipity,” he says. “There are a thousand records sitting next to me that aren't going to work;

the right record got put on at the right moment to change the course of my album. It’s one of my

favorite songs I’ve ever made.”

The album has a cinematic quality, especially in its sequencing. The last quarter, from “Fleeting

Youth” through “Reflecting Pool” and “Forever Changed,” is as cathartic as a well-told story, and

ends on a triumphant note, with “She’s Evolving.” The oldest recording on Action Adventure, it’s

another happy accident that nearly didn’t make the album. Initially Shadow doubted including a

song from the cursed early days of lockdown and planned to end the album with a much sadder

track. But it didn’t sit right and he kept returning to “She’s Evolving”—until it stuck. 

The title Action Adventure evokes the halcyon days of video store browsing, and it’s fitting that shadow LP in years.

In March 2020, Shadow narrowly escaped from the European tour for his double-disc release

Our Pathetic Age, landing back home in the Bay Area as the world shuttered. He watched his

two teenage daughters endure homeschooling and tried to process his own emotions about the

tour cut short; an album he was proud of that didn’t get to have its moment in public. “It was a

very intense time,” he recalls. For over a year, he couldn’t imagine making any new music, or

even listening to any contemporary music. “It was as if the music coming out was somehow

tainted by the craziness we were living through, the chaos and upheaval. I needed to

temporarily wallow in a bit of nostalgia, and not necessarily songs I knew”—but music from a

time period that felt less fraught. 

Around this same time, in 2021, a friend directed Shadow to an eBay auction of about 200 tapes

that were recorded off the radio from a mix station that serviced the Baltimore-D.C. area in the

‘80s. During that time, he taped Bay Area radio mixes and was able to get his hands on New

York mixes as well, but these mixes felt entirely unique in their blend of dance music, R&B, and

early hip-hop. They had a youthful, “we know no limits” quality that invigorated Shadow at a time

when he desperately needed it.

Shadow began work on Action Adventure on January 1, 2022, and the early tracks pushed him

further into his compositional bag. “I didn't want to write music that was formatted for vocalists. I

wanted to write music that flexed different energies,” he says. Though he isn’t classically

trained, he asked himself questions like “which chord progression would be most natural here,

and which would be least predictable?” and worked according to the inner logic that felt right to

him. His rule for the record was simple: no compromises. “I’m entering my fourth decade doing

this—what do I want to represent? I know that I don’t want to only make beats for some

potential vocalist that I’ve never met, and who may not share my vision. I want this record to

stand or fall on my own credentials.”