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Goldenvoice Presents
The Decibel Magazine Tour

Enslaved & Wolves in the Throne Room

with Khemmis & Myrkur

Event Information

Enslaved, Wolves in the Throne Room, Myrkur and Khemmis unite for metal media leader’s latest North American campaign this February

 

Since its launch in 2012, the annual Decibel Magazine Tour’s ambitious curation has unified artists from around the extreme universe who would otherwise never have the opportunity to tour North America together. The lineup for the 2018 Decibel Magazine Tour continues that proud tradition, as Norwegian progressive metal legends Enslaved join forces with Pacific Northwest black metal heroes Wolves in the Throne Room, Danish post-black siren Myrkur and doomed rock ‘n’ crushers Khemmis (with regional openers in select markets to be announced next year).

 

“I have always wanted Enslaved to be part of the Decibel Tour concept,” says Enslaved guitarist and co-founder Ivar Bjørnson. “Not only is Decibel an institution, and defender of the last line of resistance for the printed metal mag in North America (for a band started in 1991, printed magazines are no small matter), but the Decibel Tour has also become an institution and an icon for metal that we admire here on the other side of the pond. So, to be asked to headline, and to perform with these other very fine artists, is a great honor and a great pleasure. Be there or be trapezoid!”

 

Of 2018’s four featured acts, three have released new LPs in late 2017 to coincide with the Decibel Tour: Enslaved, with their fourteenth full-length album, E; Wolves in the Throne Room, with sixth record Thrice Woven; and Myrkur, with sophomore release Mareridt. The former have already been honored with a pair of authoritative Hall of Fame features (on 1994’s landmark Frost and 2003 groundbreaker Below the Lights). Wolves in the Throne and Myrkur each graced Decibel’s cover in 2017, while in 2016, Khemmis took home Decibel’s Album of the Year honor for their Hunted release. Additionally, Enslaved, Myrkur and Khemmis have each recorded and released exclusive tracks via the Decibel Flexi Series, and the 2018 headliners will return with their second flexi contribution, which will appear in the annual Decibel Tour issue of the magazine that hits stands February 2018.

 

Tickets for the 2018 Decibel Magazine Tour go on sale Friday, October 27 at 10 AM local time and can be found at www.decibelmagazine.com/tour. All dates and venues are below.

 

Feb-15

 

Philadelphia, PA

 

TLA

 

Feb-16

 

New York, NY

 

Irving Plaza

 

Feb-17

 

Boston, MA

 

Royale

 

Feb-18

 

Montreal, QC

 

Corona Theatre

 

Feb-20

 

Toronto, ON

 

Phoenix Theatre

 

Feb-21

 

Cleveland, OH

 

Agora Ballroom

 

Feb-23

 

Chicago, IL

 

Metro

 

Feb-24

 

Minneapolis, MN

 

Cabooze

 

Feb-25

 

Lawrence, KS

 

Granada Theater

 

Feb-26

 

Englewood, CO

 

Gothic Theatre

 

Mar 2

 

Calgary, AB

 

MacEwan Ballroom

 

Mar 3

 

Edmonton, BC

 

The Starlite Ballroom

 

Mar 5

 

Vancouver, BC

 

Rickshaw Theater

 

Mar 6

 

Seattle, WA

 

El Corazon

 

Mar 7

 

Portland, OR

 

Hawthorne Theater

 

Mar 9

 

San Francisco, CA

 

Regency Ballroom

 

Mar 10

 

Santa Ana, CA

 

The Observatory

 

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Artist Information

Enslaved was formed in 1991 by Ivar Bjørnson and Grutle Kjellson, and did their first demo “Yggdrasill” in the summer of 1992, while the legendary mini-album “Hordanes Land” was released the year after in 1993. Enslaved’s debut “Vikingligr Veldi” came in the spring of 1994, while the successful second album “Frost” was released already winter 1994. In many ways “Eld” (’97) marked the opening of a horizon-widening era for the band, with a small detour on “Blodhemn” the following year: Enslaved’s most furious and black-edged effort to date. “Mardraum (Beyond the Within)” was released in 2000; taking on an experimental and innovative approach for Extreme Metal. The band followed up with “Monumension” in 2001; receiving more (pleasantly) surprising positive response to their “no rules” approach to Extreme Metal. Many see an important milestone being “Below the Lights” (’03) – where the progressive yet darker Enslaved emerged. A new line-up was put together after the recording of “Below the Lights”, marking the opening of a new, shimmering chapter.

The new line-up released the album “Isa” in late 2004, and the album put Enslaved at the very forefront of contemporary Extreme Metal; both as a recording and live artist – proving the latter with the release of acclaimed live-DVD “Return to Yggdrasill”. “Ruun” was released in 2006, and received numerous great reviews from fans, magazines and websites worldwide. Early 2007 Enslaved sat out on their first full tour through USA and Canada since the late 90s; following up with treks all over Europe and more North America. Back in the studio the band conjured up “Vertebrae” (’08) together with mixer Joe Baresi – an album that spread across the globe like fire with extensive promotion and extensive touring. More inspired than ever the band worked on a new album throughout 2009, and started recording during the first weeks of 2010. The band’s first co-operation with mixer Jens Bogren; “Axioma Ethica Odini” received Enslaved’s 4th consecutive Norwegian Grammy in the Metal category (“Isa”, “Ruun” and “Vertebrae” receiving the three previous awards).

Enslaved continued to tour Norway, Europe and North America – and in 2012 they inked a worldwide deal with leading label Nuclear Blast Records. This all resulted in Enslaved’s groundbreaking 2012-album “Riitiir”, followed up throughout 2013 – with North American and European tours, and of course more festival appearances around the world. It also became the year when Enslaved finally made its way down under to Australia, a highly memorable and successful endeavor. 2014 were set to be the year when Enslaved took yet another step up, out, forward and whatever directions there are. The year started with supporting Amon Amarth. Then the summer and autumn saw the delivery of two highly public commissioned pieces in Norway, and the recording a new album. 2015 was one of the band’s busiest years; festivals were being played en masse, Enslaved’s own Ivar Bjørnson curated Roadburn 2015 (where Ivar and the band were involved in no less than four performances), and the new album “In Times” and its accompanying tours has set a new precedence for what progressive Extreme Metal can be. True Norwegian Innovation, in short.

2016 was the band’s 25th anniversary – which the band celebrated with tours, festivals and special 2- and 3-night shows (where sets were based on divisions of songs by timeline).  It was also the year when debut “Vikingligr Veldi” and collection of rare material “The Sleeping Gods” was released through By Norse Music (co-owned by Ivar Bjørnson). At the end of the year, longtime keyboard Herbrand retired as a performing musician. The train that is Enslaved does not stop for anything though, and their new album “E” will be released in 2017.

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*Service and handling fees are added to the price of each ticket.
  • Fri, March 9, 2018
  • 7:00 PM
  • $25.00
  • All Ages
  • Buy Tickets
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